New Look 6782 jacket, vest, skirt and pants
is now out of print - if you seek that number in the catalogue, you get
a dress top. The older version, which I bought years ago, has
become a favourite. While the
illustration looks very ordinary, the pattern offers a great princess
seamed hip length jacket with false welts.
Princess seams help small stout people like me get a good fit because
you have six vertical seams where you can add or reduce. I like the raised back neck too- a few years
ago I saw some tops with this feature described as ‘neat neck’. Since my neck is short, jacket collars often
overwhelm it, and the neckline on this jacket doesn’t do that
New Look 6782 |
.
After tissue fitting at a sewing class, I
cut the jacket size just a bit under a 14 at the neck and shoulders, easing out
to a size 16 at the bust and a little larger at the waist. With the shoulders narrow enough and the
waist wide enough, the jacket hangs nicely.
The alterations at the top meant that I ended up with a very strangely
shaped back neck facing, but it worked.
The strange altered back facing |
I’ve made three of these jackets now, each
with slightly different details. I added
a lining to each one. Making a lining
was fairly easy. I cut the pieces using the garment pattern, omitting the front facing
and back neck facing and adding a 2.5 cm (1 inch) pleat for movement at the
centre back. The first (least successful)
jacket had the lining loose at the hem. The
next two versions had fully bagged lining.
I made one visible design change to the
original pattern, curving the centre front at the hem.
I made an invisible design change, creating
working pockets. In the original, the
welts are simply decorative. They are just folded strips of fabric placed on an
angle on the side front and caught in the seams. I think jackets need pockets, so two of my
jackets have pockets behind the welts. The
first version had pockets made by tracing the bottom portion of the side front
(below the placement line for the welt) sewing the welt to these. The new false fronts and welts were then
attached to the side fronts and caught in the side seams and the hem.
This was dead easy, but I didn’t like the hang
and feel of the pockets – my hand kept catching in the hand stitches of the hem. (Yeah, I know I shouldn’t slouch round with
my hands in my jacket pockets…) A slightly more complicated version worked
better for me. I learnt it from Kim at The Cloth Shop .
To make
them, start by making the welts as per the pattern. Pin them on the side fronts and fold them up
into position. Now carefully mark the
top of the welts the side seams. Next, cut
the side fronts on the placement line for the welt so you have a side front top
and a side front bottom (don’t lose those marks that show where the top of the
welt will come). Cut pocket pieces the
width of the side front, long enough to give the depth you want when folded in
half, and with the two ends following the lines of the side front top and
bottom. You end up with a piece like
this.
Sew the pockets to the welt then to the side front bottom and to the side
front top. Carefully put the side front
top and bottom together, using the marks for the top of the welts to make a
side front that is exactly the same as the original pattern, but has a pocket
at the back of the welt. Now you can go
ahead and sew the side fronts to the side backs and the fronts, which will hold
the pocket in position.
As I said, each jacket had some slightly
different details. The first version, in
black micro fibre, is the least successful - I don’t like the
pockets, and the hem is a mess. But the
decorative element on the welt is my favourite.
I simply used a twin needle to make false pin tucks on the straight grain
of a piece of fabric. Then I cut the
welts on the bias (as the pattern recommends).
The pin tucked welt |
Decorating the welts with embroidery,
ribbon or appliqué would also be easy. They are small pieces so it would also be
possible to make them out of really luxurious contrasting fabric.
The second jacket was in a furnishing
fabric – not the nicest feeling fabric, but a soft lining helps.
Because it was so patterned, the only detail on this is the buckle fastener. It’s a belt buckle that my great-aunt purchased in London in 1911. I stitched the pieces to two lined strips of fabric (as though I were making a belt) then attached the ‘belts’ to the jacket front.
Because it was so patterned, the only detail on this is the buckle fastener. It’s a belt buckle that my great-aunt purchased in London in 1911. I stitched the pieces to two lined strips of fabric (as though I were making a belt) then attached the ‘belts’ to the jacket front.
An antique buckle fastens the jacket |
Because there are no pockets on the outside,
I added two welt pockets to the lining, following the instructions in Claire
Shaeffer’s High Fashion Sewing Secrets
for a pocket on a lined jacket.It's just a big bound buttonhole that spans the front facing and the lining side front with a pocket made out of a folded piece like the one I described above.
I couldn’t use the pin tucked welts on the
latest version- the silk tweed was too loose to pin tuck using the twin needle.
|
...And silk lining |
I think this pattern ( reviewed for Pattern Review) is a definite keeper. If you come across it in a market, give it a go!
No comments:
Post a Comment
Your (appropriate) comments are always welcome!